Journal of the stylistic of Persian poem and prose
Article Info
Journal of the stylistic of Persian poem and prose شماره 62

volume Number : 14
number In Volume : 4
issue Number : 62

Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 4، ، issue Number 62

Investigating the evolution of socio-political components of contemporary poetry from constitutional to contemporary (Mirzadeh Eshghi, Queen of Spring Poets, Nimayoshij, Ahmad Shamloo, Houshang Ebtehaj, Qaisar Aminpour)

Leila Gholipouri , Arash Moshfeghi (Author in Charge), Naser Alizadeh

Abstract

BACKGROUND AND OBJECTIVES: Many studies have been done on the socio-political components of contemporary poetry in numerous books and researches, but the evolution of key components in the three periods of the Constitution, Pahlavi and the Islamic Revolution has not been considered in research. In this article, with the aim of recognizing the important components and indicators of these periods and examining its evolution, the poems of six prominent poets have been studied.

METHODOLOGY: The article was written descriptively-analytically by library method and was one of the prominent poets of three periods: Mirzadeh Eshghi, Queen of Spring Poets, Nimayoshij, Ahmad Shamloo, Houshang Ebtehaj and Qaisar Aminpour They are selected.

FINDINGS: Components of constitutionalism, republic, tyranny, colonialism and related topics, freedom, homeland, woman, poverty of the lower class and oppression of the upper class, ignorance of the people in the constitutional period; The components of tyranny, colonialism, freedom, poverty in the Pahlavi period and the components of homeland, Islamic Revolution, freedom, stability and holy defense in the period of the Islamic Revolution are the main components of socio-political literature.

CONCLUSION: Socio-political literature is a distinct and prominent type of literature in contemporary literature that began with the socio-political developments of society, from the constitutional period; In the Pahlavi period, it was established and in the period of the Islamic Revolution, it was connected to the literature of the Islamic Revolution and stability. The components of constitutionalism, the republic and women, are among the main components in the constitutional period and have no stylistic characteristics in the Pahlavi period and the Islamic Revolution. In the Pahlavi period, tyranny and colonialism and related topics are the main components that are associated with the spirit of resistance before the coup, but after the coup, there is despair and despair. In the 1940s, with the formation of the resistance movement, the components of stability, tyranny and anti-colonialism reached the forefront again. With the victory of the Islamic Revolution, the component of tyranny and colonialism was removed and hope and freedom were praised, but with the beginning of the imposed war, the component Patriotism, stability and sacred defense become a hallmark of style.

Keyword
Constitution , Pahlavi , Islamic Revolution , Socio-political poetry , Evolution

Reference
  • Aminpour, Qeysar. (2004). Tradition and Innovation in Contemporary Poetry, Tehran: Scientific and Cultural, pp. 296-297.
  • Aminpour, Qeysar. (2009). Complete collection of poems, Tehran: Morvarid.
  • Bahar, Mohammad Taghi. (2008). Complete collection of poems, Tehran: Negah.
  • Dorosti, Ahmad. (2002). Political Poetry in the Pahlavi Period, Tehran: Islamic Revolution Documentation Center, p.55.
  • Ebtehaj, Houshang. (1991). Shabgir, Tehran: Toos.
  • Ebtehaj, Houshang. (2006). Siahmashq, Tehran: Karnameh.
  • Ebtehaj, Houshang. (2006). Tasian, Tehran: Karnameh.
  • Ebtehaj, Houshang. (2012). Mirror in the Mirror, (Selected Poetry), selected by Mohammad Reza Shafiei Kadkani, Tehran: Cheshmeh.
  • Eshghi, Mirzadeh. (1978). Illustrated generalities, compiled by Ali Akbar Moshir Salimi, Tehran: Amirkabir.
  • Haeri, Seyed Hadi. (1995). Political and Social Freedoms from the Perspective of Thinkers, A Passage on Persian Writings in the Last Century, Tehran: University Jahad, p. 9.
  • Hazin Lahiji, Mohammad Ali. (1963). Hazin Lahiji, his life and most beautiful lyric poems, prepared by M. Sarshak, Mashhad: Toos, p.21.
  • Hossein Pourchafi, Ali. (2008). Contemporary Persian Poetry Currents, Tehran: Amirkabir, p.18, 93.
  • Islami Nodooshan, Mohammad Ali. (1977). Jahanbin Cup, Tehran: Iran Mehr, p.214.
  • Mohammadi, Hassan Ali. (1996). Contemporary Iranian Poetry from Bahar to Shahriar, Volume One, Tehran: Arganun, p.35.
  • Nimayoshij. (2006). About Poetry and Poetry, by Sirus Tahabaz, Tehran: Negah, p.190.
  • Nimayoshij. (2012). Complete collection of poems, edited by Sirus Tahabaz, Tehran: Negah.
  • Nouri, Zahra. (2020). A Study of Theoretical Foundations of Contemporary Poetic Currents, Urmia: Adalar, p. 339, 367.
  • Pournamdarian, Taghi. (2002). My house is cloudy, Tehran: Soroush, p.207.
  • Sarfi, Mohammad Reza. (2011). Sacred Defense, Commitment and Transformation in the Poetry of Qaisar Aminpour, Journal of Sustainability Literature, Faculty of Humanities, Kerman University, 2 (3 and 4), pp. 323-346.
  • Shafi'i-Kadkani, Mohammad Reza. (2004). Periods of Persian poetry from constitutionalism to the fall of the monarchy, Tehran: Sokhan, p.55.
  • Shamisa, Sirus. (2004). Guide to Contemporary Literature, Tehran: Mitra, pp.623-625.
  • Shamloo, Ahmad. (2005). Collection of works, the first book of poems, Tehran: Negah.
  • Yahaghi, Mohammad Jafar. (2009). A stream of moments; Currents of contemporary Persian literature (poetry and prose), Tehran: Jami, p.166.
  • Zarghani, Mehdi. (2012). Perspectives on Contemporary Iranian Poetry, Tehran: Sales, p.336.